A Few Things We Will Not Do

We will not promise outcomes we cannot deliver. We will not film you for content without explicit, sober, repeated consent. We will not let the dance floor become a place where consent gets fuzzy. We will not bypass grief, fear, anger, or scarcity in the name of high vibes. We will not high-pressure upsell at the closing circle. We will not romanticize cultures we are borrowing from without crediting and resourcing the lineage keepers who carry them. We will not pretend the work is for everyone — it is not, and the application process is real. We will not exceed our scope of practice. We will refer to medical and clinical care faster than we will hold on. We will not let the party eclipse the temple, and we will not let the temple eclipse the party.

A Few Things We Will Do

We will hold you. We will feed you. We will play music that your

soul has been waiting for. We will dance with you until you remember. We will laugh with you until your face hurts. We will cry with you when the moment calls for it and never make a big deal of it. We will introduce you to a cohort of humans who will be in your life for years. We will send you home with practices, playlists, and a ninety-day integration journey that will keep the field tuned long after the suntan has faded. We will text you on your birthday. We will mean it.

We will, in short, do this excellently. The way we do everything. Because excellence, for us, is not a brand value. Excellence is a state. And the metrics, as we keep saying, flow from the state.

The Invitation

If you are reading this, the field is already nudging you. That is how morphic resonance works. The article found you because the frequency in you was already asking for it. You do not have to decide today. You do not have to apply today. You can simply notice that the dance has already started, and that you have been dancing it all along, and that there is a room somewhere — a beach, a chandelier, a fire, a Funktion-One, a circle of twentythree other humans who are about to become your people — where the dance gets to be conscious for one luminous week.

Ammanuel Santa Anna and Luminous Prosperity Inc. will be there. The team will be there. The morphic field will be there, dancing itself, the way it has been dancing since before the first star ignited. Your seat is, as we like to say, already choreographed. You just have to walk in.

The state is the dance. The metric is the residue. The party is holy. The work is fun. The retreat is life-changing because the field is real, the team is excellent, the curriculum is whole, the ethics are clean, the music is correct, and the host has been quietly becoming the right human for this work for two full

decades.

This is why only we could do it. This is how we do it. This is what changes.

The music is already playing. It always was. Come dance.

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BUSINESS PLAN — DANCING THE MORPHIC ABUNDANCE LUXURY RETREAT Hosted by Ammanuel Santa Anna & Luminous Prosperity Inc.

1. VISION & POSITIONING

A fun-loving, highly transformational luxury retreat where worldclass somatic dance, morphic-field manifestation science, and non-dual abundance psychology converge into one luminous, joysoaked container. Premium-tier guests come to play, dissolve scarcity, and dance their lives into a new octave of prosperity — held in radical warmth, exquisite safety, and embodied delight. Positioning statement: 'The world's most joyful luxury retreat for prosperity embodiment — where billionaires of the body, heart, and field are made through dance.'

1. TARGET GUEST

• High-capacity creatives, founders, healers, executives, artists,

and legacy-building couples (35–65)

• Seekers who have 'done the work' and want embodiment, not

more talk

• Investment range: $9,500–$22,000 per guest (5–9 day formats);

$45K–$120K private/founder cohorts

1. CORE OFFERS

• Signature 7-Day Flagship: 'Dance the Morphic Abundance'

immersion (24 guests)

• 5-Day Express Reset: 'Rhythm of Plenty' (32 guests)

• 9-Day Mastery: 'Choreographers of Reality' (16 guests,

advanced)

• Private Couples & Founder Retreats (2–6 guests, fully bespoke)

• Annual 'Solstice of Abundance' flagship gathering (80 guests)

1. THE TRANSFORMATIONAL ARC (Techniques & Tactics)

Day-by-day choreography drawn from the Luminous Library canon:

• Arrival: warm welcome ceremony, scent + sound bath,

embodied consent agreements, nervous-system down-regulation

• Day 1: Appreciative Stance activation + Prosperity Walk

diagnostic

• Day 2: Morphic Field Listening, Sacred Geometry Dance,

Shadow Dance with scarcity

• Day 3: Ecstatic Abundance Wave (peak joy day) +

neurochemical optimization

• Day 4: Integration day — nature, massage, silence, journaling,

contact abundance

• Day 5: Manifestation Dance Ritual + personal Abundance

Choreography composition

• Day 6: Group Synchronized Abundance Field + community

offering

• Day 7: Closing Benediction, blessing circle, re-entry design,

lifetime alumni induction Techniques: Laban-informed movement assessment, ecstatic dance, contact improv, breath-rhythm entrainment, somatic parts work, morphic-field meditation, lila (divine play) practices, nondual inquiry, IFS-informed shadow integration, embodied cognition rewiring, gratitude amplification, biofield coherence training.

1. WARMTH, SAFETY & PLAY (How It's Delivered)

• Warmth: handwritten welcome notes, custom playlists per guest,

pre-arrival voice messages from Ammanuel, candlelit dinners, intimate fire circles, surprise gifting, daily 1:1 check-ins

• Safety: trauma-informed facilitation team, on-site somatic

therapist + medical concierge, clear consent protocols, optDancing the Morphic Abundance: Rhythm, Resonance, and the Choreography of Plenty

in/opt-out for every practice, sober + alcohol-optional tracks, 24/7 integration support, robust pre-screening, scope-of-practice ethics

• Play: improv games, costume nights, silent discos at sunrise,

jungle/ocean dance excursions, laughter yoga, surprise musicians, treasure hunts, water rituals, dance flash mobs of joy

• Held by: Ammanuel Santa Anna (lead), 4 senior facilitators, 2

somatic therapists, 1 medical lead, 1 hospitality director, 1 music alchemist, 6 hospitality team — 1:2 staff-to-guest ratio

1. IMPACT (Promised & Measurable Outcomes)

For guests: regulated nervous system, dissolved scarcity loops, expanded prosperity baseline, embodied confidence, restored joy, renewed creativity, deeper partnership intimacy, clarified life choreography, lifelong practice toolkit, alumni field of peers. For staff: thriving wages, equity in mission, ongoing training, embodied workplace culture.

For community: 5% of profits to local artists, dancers, and indigenous lineage keepers; sourcing local; environmental regeneration partnerships at every venue.

For the field: contributing to the morphic resonance of joyful prosperity on Earth.

KPIs: NPS ≥ 80, 60%+ alumni return within 24 months, qualitative transformation stories, tracked income/wellbeing changes 6/12 months post.

1. LOGISTICS

• Venues: rotating luxury sanctuaries — Tulum, Costa Rica

(Nosara), Ibiza, Bali, Sedona, Tuscany; all with pristine dance floors, nature immersion, sound systems, chef kitchens, healing spaces

• Cuisine: organic, locally-sourced, plant-forward with ethical

proteins; private chef; dietary customization

• Lodging: private suites, premium linens, en-suite spa amenities

• Tech: morphic-field sound design, Funktion-One systems,

professional lighting, optional biometric tracking

• Operations: 90-day pre-arrival journey (intake, prep videos,

movement primers, intention rituals), 90-day post-retreat integration (group calls, app practices, 1:1s)

• Staffing & Insurance: full liability, medical, travel, and emergency

protocols

• App: Luminous Prosperity companion app with daily practices,

music, journaling, alumni community

1. MARKETING STRATEGY

• Brand voice: luminous, playful, intelligent, deeply warm, nonhype, mythopoetic

• Channels: invitation-only application funnel, founder-led

Instagram + YouTube, long-form podcast tour, alumni referrals (40% of bookings target), curated dinners in NYC/LA/London/Mexico City, partnerships with high-end coaches, somatic schools, family offices

• Content engine: weekly dance-prosperity teachings, guest

transformation films, 'Morphic Monday' field reports, free 7-day Dance of Abundance mini-course as lead magnet

• Funnel: free mini-course → application → discovery call with

retreat steward → invitation → deposit → pre-arrival journey

• Launches: 3 flagship retreats per year announced as cohorts;

waitlist scarcity managed with integrity

• Partnerships: Esalen, 1440, Six Senses, Soho House, premium

wellness brands, conscious-luxury press (Conde Nast Traveler, Goop, Wired)

• PR: founder story of Ammanuel Santa Anna, Luminous Library

book launches as marketing flywheel, TEDx + keynote pipeline

1. FINANCIAL MODEL (Year 1 Targets)

• 6 retreats × avg 22 guests × avg $14K = ~$1.85M revenue

• Private retreats: 4 × $75K = $300K

• Alumni programs + app: $180K

• Total Y1 revenue target: ~$2.3M | Gross margin target: 42–48%

• Y3 target: $7–10M with licensed facilitator program and flagship

festival

1. RISK & ETHICS

• Trauma-informed scope, clear referral pathways, no spiritual

bypassing, transparent pricing, no high-pressure upsells, environmental stewardship, cultural humility with all dance traditions honored and credited.

A retreat where the universe dances guests into the abundance they were always already made of — in safety, in play, in luxury, in love.

Give a formula for the workbook based on this

A Story from the Road: The Tulum Solstice That Rewrote Me

By Sister Amara Rivers, Senior Facilitator, Luminous Prosperity Inc.

I am writing this on a flight from Cancún to JFK with sand still in the cuff of my linen pants and the salt of seven mornings of ocean air still in my hair. The flight attendant just asked me twice if I was okay, because I keep laughing quietly to myself for no reason that would make sense from the outside, and crying a little, and then laughing again. I told her I had just come from a retreat. She nodded the way people nod when they don't know what to say. I wanted to tell her: ma'am, I have just spent seven days dancing the morphic field into a different shape with twenty-four of the most luminous humans I have ever met, led by a man whose pinky finger carries more lineage than most lineages carry in their entire genealogy, and I am not the same Amara who got on the plane down here. But I just smiled and said, yes, thank you, I'm okay. I'm more than okay. I'm dancing.

I want to tell you about the Tulum Solstice. I want to tell you the story the way it actually happened, because the brochure version is beautiful and true, but the real version is funnier and more sacred and more useful, and I think the people who need to hear it deserve the real version.

The Arrival

Twenty-four guests came in over the course of a Saturday afternoon. We had been preparing them for ninety days — voice notes from Ammanuel, movement primers, intention rituals, a beautifully curated pre-arrival journey that by the time they actually walked through the gate of the sanctuary they were already half-dancing. You could see it in the way they got out of the vans. Shoulders softer than they had been in years. Eyes already a little wet.

My favorite part of any retreat is the welcome ceremony, and Tulum did not disappoint. We had built a candlelit corridor of cenote water and copal smoke from the gate to the central palapa. Each guest was met by name — by name, with their actual story, the story they had told us in their intake — by a member of the team who had been holding them in heart for three months. I watched a hedge fund manager from Connecticut, a man who I am quite sure had not been touched with that kind of specific tenderness since he was four years old, simply stop walking and put his hand on his chest and breathe. His steward, Marisol, didn't rush him. She just stood with him in the candlelight until he was ready to keep going. That's the work. That's the whole work, in miniature, in the first ninety seconds.

Ammanuel was waiting at the end of the corridor. He always is. He doesn't make grand entrances. He's just there, like he's been there the whole time, like he was there before the building was built. He greeted each guest with what I can only describe as a complete recognition — a look that says I see you, I see all of you, and I am delighted that you have arrived. Not impressed. Not intimidated. Delighted. That distinction is everything.

Day One: The Appreciative Stance

We opened the next morning at sunrise, on the dance floor we had built into the jungle clearing. Funktion-One speakers tucked into the foliage. A floor of polished local hardwood. The ocean three hundred meters away, audible if you stopped breathing. Twenty-four guests in white linen, barefoot, slightly nervous. Ammanuel walked into the center of the circle and didn't say anything for a long time. He just stood. He breathed. And then — and this is the move I have watched him do a hundred times and I still do not understand it mechanically — he smiled, and the entire field of the room smiled with him. Shoulders dropped. Sternums opened. One woman audibly laughed for no reason. The morphic field had changed the room before a single word was spoken. "Good morning, beloveds," he said. "You are already in the practice. The practice started when you said yes to coming here. The practice started, actually, much earlier than that, but we'll get to that. For now, I want you to know one thing: you don't have to do anything this week. You just have to let the dance that is already dancing you become a little more visible to you."

Then he taught the Appreciative Stance — not as a concept, but as a posture. Feet planted. Knees soft. Pelvis neutral. Heart forward. Eyes level. Hands open. He walked us into it slowly, joint by joint, breath by breath. By the time we had been in it for ten minutes, three people were crying. One man — the Connecticut hedge fund guy, whose name I will not use but whose journey I will carry for the rest of my life — said, very quietly, "I have never stood like this before." That sentence still wrecks me.

Ammanuel just nodded and said, "Welcome home to your spine, brother."

Then we danced. We danced the Prosperity Walk diagnostic — a slow, deliberate walking practice where every step reveals the choreography of scarcity or abundance the body has been

holding. People found themselves walking like they were apologizing for taking up space. People found themselves walking like they were rushing toward an emergency that wasn't happening. People found themselves walking like they had finally been given permission. By lunch, the field of the group had already shifted. You could feel it in the way they passed the salt at the table.

Day Two: Morphic Field Listening

I have to tell you about Day Two because Day Two is where my own lineage was deepened in a way I didn't expect, even after years in this work.

We took the group to a cenote at dawn. A real one, sacred to the Maya, with permission and offering and proper relationship to the local elders who hold the site. Ammanuel had been in dialogue with these elders for years. They love him. They tease him. They call him "the dancing one," with affection and a little bit of eyerolling. Before we entered the cenote, Don Felipe — one of the elders — gave a blessing. Ammanuel translated, but he translated more than the words. He translated the field. Don Felipe spoke about water as memory. About how the cenote remembers every prayer that has ever been offered into it, and every dance, and every grief, and every joy. He said the water teaches us how to hold without grasping. Ammanuel let the silence sit after each sentence. He didn't rush the translation. He let the morphic field of the elder's transmission settle into the bodies of the guests before he spoke.

This is what I mean by lineage. Ammanuel does not perform indigenous wisdom. He does not borrow it. He is in real, accountable, multi-decade relationship with the elders of every land we work on. He pays them. He learns from them. He sends

his own students to study with them. He credits them in every book and every retreat and every breath. The lineage of Luminous Prosperity is not a brand. It is a web of actual humans who have actually trained him and continue to actually train him, and he honors that web visibly, audibly, financially, and in his bones. We entered the cenote. We danced in the water. I watched a guest — a successful film producer from Los Angeles — sob into the cenote for forty minutes while gently swaying to a beat we were not playing. The morphic field was playing it for her. When she came out, she said, "My grandmother just visited me. She told me I'm allowed to rest now." Her grandmother had been dead for eleven years.

This is the work. This is what no spreadsheet can capture and no testimonial can quite contain.

Day Three: The Ecstatic Abundance Wave

Day Three is the peak joy day, and I want to be honest: Day Three is also the day where Luminous Prosperity differentiates itself from every other retreat I have ever attended or facilitated, because Day Three is when the party starts.

And it is a party. Let me say that clearly. It is a real, no-irony, fullbodied, four-hours-of-dancing, costume-optional, glitterencouraged, sweat-pouring, laughter-cracking, jaw-aching party. With one of the best DJs in the world. Ammanuel curates the music himself, in collaboration with a music alchemist named Theo who has been with us for six years and whose ear is, I am convinced, supernatural. The set on Day Three of the Tulum Solstice opened with a low pulse of Afro-Cuban drum and built — over forty-five minutes — into a wall of joyful sound that had every single guest off the floor and into the air.

But here is the thing, and this is the magic of how Ammanuel

holds it: the party is not a break from the transformation. The party is the transformation. We had spent two days teaching the nervous system that it was safe. We had spent two days letting the morphic field reveal itself. By Day Three, the bodies in the room were ready to celebrate, and celebration — real, embodied, ecstatic celebration — is one of the most potent morphic technologies that exists. The neurochemistry alone is staggering: dopamine, oxytocin, endorphins, anandamide, all flooding the system in the presence of a coherent, loving, witnessed group. You are literally rewiring your relationship to abundance at a cellular level while doing the running man with a stranger from Munich who is now your soul sibling.

I watched the Connecticut hedge fund guy take his shirt off at hour two and dance with his eyes closed for forty-five straight minutes. I watched a CEO from Singapore who had told me on Day One that she did not dance — "I do not dance, Amara, I want to be clear about this" — execute a hip movement at hour three that would have made Shakira proud. I watched Ammanuel himself, in a flowing white shirt, with sweat pouring down his face, lead a conga line through the entire jungle clearing while shouting blessings in three languages.

And then — and this is the move — at the peak of the peak, when the music had been building for hours and every body in the room was incandescent, Ammanuel cut the music. Just cut it. Total silence. Twenty-four panting, glistening, ecstatic humans standing in the jungle at sunset. "Feel that," he said. Just two words. And we felt it. The morphic field was so coherent in that moment that the air had weight. Three people simultaneously sat down on the floor. One person quietly began to laugh and could not stop. Another person whispered, "oh my god, oh my god, oh my god," not as exclamation but as recognition.

Ammanuel let it sit for what must have been four full minutes. Then he said, "This is your baseline now. This is what your nervous system now knows is possible. You will not forget this. Your cells will not forget this. This is the new floor."

Then he started the music again, softer, and we danced down from the peak the way you walk down from a mountain — slowly, with reverence, with your knees a little tender.

That is how you throw a party that is also a sacrament. That is the calling. That is the lineage.

Day Four: Integration

Day Four is the day I love most as a facilitator, because Day Four is the day where the work that was done on Day Three actually settles into the body. We had massage. We had silence. We had a long, slow walk through the jungle in pairs. We had journaling on the beach. We had a chef-prepared meal of local ceviche and roasted plantain and the best mango I have ever tasted in my life, eaten in silence at a long wooden table while a single musician played soft Spanish guitar.

The Connecticut hedge fund guy sat next to me at lunch. He didn't say anything for the first ten minutes. Then he said, "I think I have been afraid of joy my whole life." I didn't say anything. I just put my hand on his forearm. He nodded. We kept eating.

That is also the work.

Day Five: The Manifestation Dance

On Day Five, each guest composed their own personal Abundance Choreography. This is one of my favorite practices in the entire canon. Each guest spends the morning in solo movement inquiry, listening for the dance their life is asking them

to dance for the next twelve months. They work with a facilitator one-on-one to refine it. By afternoon, each guest performs their choreography for the group — sometimes thirty seconds, sometimes seven minutes, always exactly the right length — and the group witnesses it as a morphic offering.

The witnessing is the magic. Twenty-four humans, fully present, holding the field while one person dances the shape of their next year. You can see the field accept the choreography. You can see it lock in. People come off the floor visibly different than when they got on it.

The Singapore CEO danced a choreography of opening her arms wide and then bringing her hands to her heart, three times, with a small spinning movement in between. It took ninety seconds.

When she finished, she was glowing. She told me later that the choreography was about receiving — that she had spent her entire career giving and producing and never receiving, and that the dance was teaching her how to let things in. Six weeks later, she emailed me to say she had received the largest unsolicited business offer of her career. She wrote: "Amara, the dance worked. I just opened my arms and it came in."

I'm not saying the dance caused the offer. I'm saying the morphic field, organized through embodied intention, witnessed by a coherent group, tends to do what it does. I have stopped being surprised by it. I have started just being grateful for it.

Day Six: The Group Synchronized Field

On Day Six, the entire group dances together as one body.

Ammanuel leads it, but barely — by Day Six, the field is so coherent that the leadership becomes almost unnecessary. The group breathes together, moves together, finds rhythm together, peaks together, descends together. It is one of the most beautiful things I have ever witnessed in fifteen years in this work, and I

have witnessed it dozens of times now and it still makes me cry every single time.

At the end of the practice on Day Six, the group makes a collective offering. This Solstice, the offering was that we would each commit to bringing one specific abundance practice back to a community we belonged to — a workplace, a family, a friend group, a neighborhood. Twenty-four commitments, witnessed by the group, anchored into the morphic field. The ripple of one Solstice retreat is, by my conservative estimate, about six hundred people in the first ninety days. We track this. The numbers are real.

Day Seven: The Closing Benediction

The last morning. Always the hardest. Always the most beautiful. Ammanuel gathered us in a circle on the beach at sunrise. He had a small drum. He looked at each of us, one by one, and said something specific to each person. Not a generic blessing. Not a templated farewell. Something specific, that only that person needed to hear, that only Ammanuel could have known to say.

To the Connecticut hedge fund guy, he said: "You are allowed to be soft in the boardroom. The boardroom needs your softness more than it needs your armor."

To the Singapore CEO, he said: "Receive without earning. The universe is not a meritocracy. It is a love letter."

To me, even though I was on staff and not technically in the circle, he turned and said: "Amara, you have been carrying this work for many lifetimes. You don't have to carry it alone. Let the lineage carry you for a while."

I cried. Of course I cried. I'm crying now writing it down.

We danced one final dance together. A slow, gentle, undulating movement that felt like a goodbye and a beginning at the same time. The morphic field around the group had, by my felt-sense, expanded by orders of magnitude over the seven days. Each guest carried a piece of it home. The piece does not diminish what stays. That's how morphic fields work. Generosity all the way down.

What Makes This Particular Retreat What It Is

I have been to and led many retreats over the years. Vipassana. Plant medicine. Breathwork intensives. Somatic immersions. Fiverhythms. Various manifestation programs that I will charitably not name. Each of them gave me something. Several of them I still recommend.

But the Tulum Solstice — and the Luminous Prosperity body of work more broadly — does something I have not seen done anywhere else, and I want to name what it is, because if you are considering this work, you deserve to know what makes it different.

First: it is fun. I cannot overstate how rare this is. Most transformational work is grim. Most transformational work treats joy as a reward for suffering done correctly. Ammanuel's lineage treats joy as the medicine itself. The party is not a distraction from the depth — the party is the depth. Lila, divine play, is not a chapter in the book; it is the entire operating system. I have laughed harder at Luminous Prosperity retreats than I have laughed at most weddings.

Second: it is held with extraordinary care. The 1:2 staff-to-guest ratio is not marketing. It is real. Every guest has a steward. Every steward has been in the work for years. The trauma-informed scope is rigorous. The medical concierge is genuinely on call. The

somatic therapists are board-certified and embedded in the team. Nobody gets left in a difficult moment. Nobody gets pushed past their consent. The container is so safe that people can go places they have never been able to go before, because they trust — correctly — that they will be held.

Third: it is rooted in lineage that is honored, not appropriated. Ammanuel pays the elders. He credits the traditions. He sends his money downstream to the indigenous communities whose dance practices have informed his work. He sends his students to study with the actual teachers of those traditions. He does not pretend to have invented things he did not invent. He is humble about it in a way that, frankly, most teachers in this space are not.

Fourth: the three streams actually meet in his body. Dance psychology, morphic manifestation, and non-dual abundance — I have studied with masters of each, and I have never met anyone else who can hold all three at once without collapsing them. Ammanuel does it without effort. The integration is not a performance. It is a frequency.

Fifth: the impact is real and measurable. We track NPS. We track alumni return rate. We track six-month and twelve-month wellbeing and income changes. The numbers are extraordinary. But more than that — and I want to say this as the senior facilitator who has watched it happen for years — the qualitative transformation is undeniable. People come back different. Their marriages reorganize. Their careers reorganize. Their bodies reorganize. Their relationship to money, to time, to joy, to themselves — all of it reorganizes. Not because we did anything to them. Because we held a container in which they could remember what they already were.

Sixth: the lineage is alive. This is not Ammanuel's solo show. There is a team of senior facilitators — I am one of seven — who have trained directly with him for years and who carry the work in

our own bodies. There is a global alumni community of over two thousand people who continue to dance the practices, support each other, and feed the morphic field. There is an app, a workbook, a reading list, a podcast, an annual flagship gathering. The lineage is not depending on one charismatic teacher. It is depending on a living, breathing, dancing field of practitioners. That is what makes me trust it. That is what makes me give my life to it.

Why I Do This Work

I was a corporate lawyer for nine years before I found Luminous Prosperity. I made a lot of money. I was good at my job. I was also dying inside in a slow, polite, well-compensated way. I came to a Tulum retreat eight years ago as a guest and within forty-eight hours I knew I was not going back to my old life. I gave notice the week I got home. I started training with Ammanuel six months later. I have been in the lineage ever since.

I tell this story not because my story is special, but because variations of my story are sitting on every retreat we run. The schoolteacher who realized she was a healer. The surgeon who realized he was a poet. The marketing executive who realized she had been ignoring a calling to teach yoga to incarcerated women for fifteen years. The retired investment banker who realized he wanted to build a school. People come to dance, and they leave with their lives realigned.

This is the calling. This is what I am for. This is what Ammanuel is for. This is what Luminous Prosperity is for. We are here to help people remember the choreography their life has been trying to dance through them, and we are here to do it with as much joy and care and love and rigor and lineage and party and sacred fire as we possibly can.

The Tulum Solstice was, by any measure, the best retreat we have

ever run. And next year's will be better. The lineage is in motion. The morphic field is dancing. The music is already playing.

The plane is starting its descent into JFK. The flight attendant is collecting cups. I have sand still in my cuffs and salt still in my hair and a small, sustained, secret laugh that has not left my chest in seven days.

The dance is dancing me home.

And the dance is dancing you, too. Whether you know it yet or not.

Come dance with us. Come find out.

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